I held out little hope - who tells their husband ten months or so in advance? But he's a great guy, and of course he pulled through - when he handed me a square box on my day I didn't know what to expect, but lo and behold, there were the tickets tucked inside of a great mass of tissue inside. Sneaky fella, huh?
At any rate, I only had a couple of days to be excited before the show, but I was in great anticipation. I told everyone who would listen that we had tickets for the show, and bounded around like a maniac singing to my own cats, who tolerated me in their own way. That is to say, they gave me disdainful stares and barely managed to keep from clawing me to pieces as I tried to make them shimmy with me to Magical Mr. Mephistopholes.
Because we've been to Theatre Calgary performances before, we knew what to expect and headed directly for their underground parking garage. We were shocked to find it completely full, even though we were quite early. After some driving around we finally found a regular lot to park in a block over, and counted ourselves lucky to find one of the last two places available! A tip here from experience; check the Epcor Center calendar to see if other events are happening on the night of your performance, and if they are, be sure you leave much more extra time than you expect to find parking. We barely made it in the doors before they closed and the performance began. (Sixty seconds to spare, whew!)
Trust me, it was worth the extra bother.
One thing I really appreciate about Theatre Calgary is their extremely innovative set design. There's something a little avant garde about the way they build their worlds, but it's positively seamless, and always seems to wrap around into the theatre to envelop the audience within the little world of magic that takes place on the stage. Cats was no exception to that. With the area transformed into a back alley at night, everything from bins and crates to a broken down vehicle to abandoned neon signs were in evidence in the world of the Jellicle cats. And don't even get me started on the wonderful twists of set design that emulated a pirate ship or allowed an aerodynamic cat to climb a rope from one of the audience balconies!
Cats is always a design explosion - even little theatres can usually show some amazing production values, but Theatre Calgary pulled out all the stops, with extraordinary sets, costumes that were both finely detailed and resplendently ragged in the traditional Cats style (with a few unique twists I hadn't seen before!), and a cast that romped and kneaded paws, and clawed and tumbled in a beautiful synergistic, energetic display.
I have seen two productions of Cats before this one; a mediocre one at a small dinner theatre and an extraoridinary one by the Broadway touring company. This was at least on par with the Broadway company, with slightly different moments of brilliance in each one.
In the Theatre Calgary performance, Jennyanydots (Cleopatra Williams) and Grizabella (Cailin Stadnyk) shone the brightest to my eyes; the actresses were positively radiant, Williams for her sparkling tap performance and brilliant personality and Stadnyk for her phenomenal vocal talent and touching shows of emotion. While the entire cast was well-chosen and there wasn't a single "bad" performance in sight, the wonderful frumpy-old-cat archetype of Old Dueteronomy (brought to life by Sam Plett) was my favourite character personification of any performance of Cats I've seen (or nearly any play I've seen, for that matter). We particularly enjoyed watching him on stage throughout the intermission, where he groomed and stretched, and looked a good deal like our own big fluffy George cat on his perch onstage.
If you are looking for a great musical to help introduce theatre into your children's lives you can't go wrong with this production of Cats. Theatre Calgary even provides a student guide for those headed in to see this as a school group or just with their families. There is also an audience enrichment guide available for anyone wanting to boost their appreciation of the poetry that makes this play what it is.
It takes about forty minutes on an average night for us to make it from the Strathmore border to Theatre Calgary's location. Not a far drive for such a brilliant performance and an evening of true entertainment.
Five stars. Even with the drive, this is completely worth the travel time, as it's a brilliant performance full of quirky wit and stunning talent. Everyone should go!